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This panorama is a stitched image from three separate photographs. |

Plans for some scenic outdoor shots were abandoned early as a very chill wind threatened exposed and unexposed extremities.

I did however have 50 people standing around in the cold waiting for the large group shot.
I stood on a plastic patio table and shouted instructions trying to arrange the group so that everyone was visible...failed.

And fired a burst,with my 85mm lens, using the grid lines on my viewfinder to line up my shots so that I had a decent overlap between frames.... and crossed my fingers until they were white. They were already blue.
Below is a selection to the ten shots I took.

Now shooting panoramas is fairly straightforward if certain things remain constant. Exposure for one, was no problem on a consistently dull day. Neither was focus much of a problem. Though best practice would be to shoot in manual I used autofocus. Subject movement was the joker in the pack.
I've said that exposure wasn't an issue but in one sense it was. When I exported images from Lightroom I kept them in 'original' format, as I knew that PTGUI can deal with Nikon Raw files and I thought this would give best quality. Except in my first few attempts the detail in the wedding dress was lost, completely bleached out. I realized that when exporting in 'Original' format form Lightroom I was losing all the edits I had already done on the pictures. I solved this by exporting as TIFs.
Subject movement I dealt with using PTGUI's masking functions. Wherever a head moves or eyes closed between shots I could chose which head to use as long as I had more than one to chose from. I had to do this less than half a dozen times.
The result is a 65 megapixel image. To give you an idea of how big that is here is the brides face from one of the pictures
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